“What’s become of it?” asked Joan. “The child?” But it was her Gethsemane: the best that Fate had been able to do for her. It was here that her choice would be made. She felt that.!

“What was my mother doing in Paris?” asked Joan, “Don’t come with me,” she said. “There’s a cab stand in the Avenue. I shall walk to Sèvres and take the train.”

Mary argued that England could and should keep out of it; but Greyson was convinced it would be impossible, not to say dishonourable: a sentiment that won the enthusiastic approval of the little drummer in Joan’s brain. He played “Rule Britannia” and “God Save the King,” the “Marseillaise” and the Russian National hymn, all at the same time. He would have included “Deutschland über Alles,” if Joan hadn’t made a supreme effort and stopped him. Evidently a sporting little devil. He took himself off into a corner after a time, where he played quietly to himself; and Joan was able to join in the conversation. “I want to prove to myself,” she explained, “that I am capable of earning my own living. I am going down into the market-place. If I’m no good, if I can’t take care of even one poor woman, I’ll come back and ask you to keep me.” She was sitting on the arm of his chair, and laughing, she drew his head towards her and pressed it against her. “If I succeed, if I am strong enough to fight the world for myself and win, that will mean I am strong enough and clever enough to help others.” “How did she come to fall in love with you?” asked Joan. “I don’t mean to be uncomplimentary, Dad.” She laughed, taking his hand in hers and stroking it. “You must have been ridiculously handsome, when you were young. And you must always have been strong and brave and clever. I can see such a lot of women falling in love with you. But not the artistic woman.”